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$629.70The Story
Tactile Visions: Don Quixote Reading in His Room, 1957
In "Don Quichotte en Lecteur dans sa Chambre" from the Don Quichotte suite, Dalà captures the exact moment of psychological transformation where the protagonist’s reality dissolves into chivalric fantasy. Seated in his study, the aging nobleman is no longer a mere reader; he is a gallant knight reimagined in fine, ornate attire, his mind projecting a swirling vortex of heroic delusions. This "swirl of thought" is rendered with a frenetic, atmospheric energy that perfectly illustrates the "perception disorder" Dalà sought to explore in Cervantes’ text.
The composition balances the quiet solitude of the room with the explosive internal life of a man lost to his own imagination. The physical presence of this work is defined by its extraordinary heavy texture, a direct result of DalĂ’s experimental "Tachisme" techniques. By firing ink-filled musket bullets at the stone and utilizing rhinoceros horns to apply thick, gestural layers of lithographic ink, DalĂ created a surface that feels alive with tactile depth. These chaotic splatters and splotches form the very fabric of Quixote’s visions, bridging the gap between traditional illustration and mid-century abstract expressionism. As a single-page lithograph from the prestigious 1957 Joseph ForĂŞt edition, this piece remains one of the most poignant examples of how DalĂ’s technical aggression could be used to depict the fragile beauty of a fractured mind.
- Medium: Original Lithograph
- Edition: of 233
- Signature: Signed in the Stone
- Paper Size: 13" x 16â…›"
- Paper Type: Rives
- Frame Size: 27" x 23½" x 1¾"
- Printer: Detruit
- Publisher: Joseph Foret, Editeur D'Art, Paris, 1957
- Reference: Field 57-1 p.123, Löpsinger 1008

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Description
Tactile Visions: Don Quixote Reading in His Room, 1957
In "Don Quichotte en Lecteur dans sa Chambre" from the Don Quichotte suite, Dalà captures the exact moment of psychological transformation where the protagonist’s reality dissolves into chivalric fantasy. Seated in his study, the aging nobleman is no longer a mere reader; he is a gallant knight reimagined in fine, ornate attire, his mind projecting a swirling vortex of heroic delusions. This "swirl of thought" is rendered with a frenetic, atmospheric energy that perfectly illustrates the "perception disorder" Dalà sought to explore in Cervantes’ text.
The composition balances the quiet solitude of the room with the explosive internal life of a man lost to his own imagination. The physical presence of this work is defined by its extraordinary heavy texture, a direct result of DalĂ’s experimental "Tachisme" techniques. By firing ink-filled musket bullets at the stone and utilizing rhinoceros horns to apply thick, gestural layers of lithographic ink, DalĂ created a surface that feels alive with tactile depth. These chaotic splatters and splotches form the very fabric of Quixote’s visions, bridging the gap between traditional illustration and mid-century abstract expressionism. As a single-page lithograph from the prestigious 1957 Joseph ForĂŞt edition, this piece remains one of the most poignant examples of how DalĂ’s technical aggression could be used to depict the fragile beauty of a fractured mind.
- Medium: Original Lithograph
- Edition: of 233
- Signature: Signed in the Stone
- Paper Size: 13" x 16â…›"
- Paper Type: Rives
- Frame Size: 27" x 23½" x 1¾"
- Printer: Detruit
- Publisher: Joseph Foret, Editeur D'Art, Paris, 1957
- Reference: Field 57-1 p.123, Löpsinger 1008






















